COTIDIANA*
(or)
NOTICING, PRESENT, ATTENTION**
(or)
BREAKING THE SPELL***
(or)
HAND-EYE-COORDINATES****
(or)
SCRYING STONE*****
(or)
APOPHENIA******
COTIDIANA*
(or)
NOTICING, PRESENT, ATTENTION**
(or)
BREAKING THE SPELL***
(or)
HAND-EYE-COORDINATES****
(or)
SCRYING STONE*****
(or)
APOPHENIA******
*AN EMBRACE OF THE TERRESTRIAL, DAY-TO-DAY, HUMDRUM, AND ROUTINE
**PULLING MOMENTS OF INTRIGUE FROM THE BANAL AND FAMILIAR
***A CELEBRATION OF CIRCADIAN SCENES: GLORIFICATION OF THE MORTAL & MATERIAL
****THE INTERSECTION OF OBSERVATION AND ACTION, LOCATION, AND TESTIMONY
*****A REVELATION OF *THINGS* THAUMATURGICALLY HIDDEN
******SIGNS AND WONDERS OF THE GARDEN VARIETY
(or)
A 35mm VISUAL DIARY
gleanings from a field of vision; harvested from a context, place, and time.
also: memos, an origin point, context of a mo(ve)ment, peripheral details, collected objects, surrendering to presence, re-acquaintance with the defamiliarized, the omnipresence of beauty, intentional acceptance of circumstance (as distinct from resignation), subplot observations, preservation of phenomena, proof of existence, overturning even the most familiar stones in search of inspiration, rejection of the pursuit of greener shades of grass, an achronological record, documentation of a life being lived in and of itself.
A 35mm VISUAL DIARY
gleanings from a field of vision; harvested from a context, place, and time.
also: memos, an origin point, context of a mo(ve)ment, peripheral details, collected objects, surrendering to presence, re-acquaintance with the defamiliarized, the omnipresence of beauty, intentional acceptance of circumstance (as distinct from resignation), subplot observations, preservation of phenomena, proof of existence, overturning even the most familiar stones in search of inspiration, rejection of the pursuit of greener shades of grass, an achronological record, documentation of a life being lived in and of itself.
2017 – ad infinitum
last update: APR 2024